Invisible Violence
Invisible Violence
Enframing an Invisible Violence
Writer and curator Cora Fisher contributes with her thoughts on the Woodstock launch of Invisible Violence, held in conjunction with a conversation with Judy Ditner, Thomas Keenan and Liz Park.
Writer and curator Cora Fisher contributes with her thoughts on the Woodstock launch of Invisible Violence, held in conjunction with a conversation with Judy Ditner, Thomas Keenan and Liz Park.
Invisible Violence
Doing the Difficult Work
Montreal-based writer Amber Berson shares her reflections on the workshop titled “The Form of Violence / The Form of Exhibition” presented by Liz Park for Invisible Violence at CEREV (The Centre for Ethnographic Research and Exhibition in the Aftermath of Violence) at Concordia University on February 27.
Montreal-based writer Amber Berson shares her reflections on the workshop titled “The Form of Violence / The Form of Exhibition” presented by Liz Park for Invisible Violence at CEREV (The Centre for Ethnographic Research and Exhibition in the Aftermath of Violence) at Concordia University on February 27.
Invisible Violence
Curation as Interruption
Sara Matthews, Assistant Professor in Global Studies at Wilfrid Laurier University, responds to a conversation between Gabrielle Moser and Liz Park at the Toronto launch of Invisible Violence.
Sara Matthews, Assistant Professor in Global Studies at Wilfrid Laurier University, responds to a conversation between Gabrielle Moser and Liz Park at the Toronto launch of Invisible Violence.
Invisible Violence
Slippery Bond
Vancouver-based artist and writer Sean Alward responds to an artist talk by Marianne Nicolson to mark the Vancouver launch of Invisible Violence
Vancouver-based artist and writer Sean Alward responds to an artist talk by Marianne Nicolson to mark the Vancouver launch of Invisible Violence
Invisible Violence
Belmore / Gonzales-Day / Granados / Noguchi
To explore the artists’ works and the topic of violence in collaboration rather than in isolation, the curator Liz Park and photo-scholar Judy Ditner engaged in a process of exchange. Seeking to open up each other’s readings, we jointly authored this text to point to some key issues the artists take up, and to offer partial descriptions of and ruminations on the artworks.
To explore the artists’ works and the topic of violence in collaboration rather than in isolation, the curator Liz Park and photo-scholar Judy Ditner engaged in a process of exchange. Seeking to open up each other’s readings, we jointly authored this text to point to some key issues the artists take up, and to offer partial descriptions of and ruminations on the artworks.
Invisible Violence
Introduction
Invisible Violence brings together the work of four artists – Rebecca Belmore, Ken Gonzales-Day, Francisco-Fernando Granados, and Louise Noguchi – who use photography as a point of reference for histories of violence that inform a contemporary politics of representation. Designed to incite thoughtful conversations about the representation of violence and its politicization today, this web hub will archive reflections on the discussions that take place at each of the events related to this project.
Invisible Violence brings together the work of four artists – Rebecca Belmore, Ken Gonzales-Day, Francisco-Fernando Granados, and Louise Noguchi – who use photography as a point of reference for histories of violence that inform a contemporary politics of representation. Designed to incite thoughtful conversations about the representation of violence and its politicization today, this web hub will archive reflections on the discussions that take place at each of the events related to this project.
