Other years:
Show’s Over
by Jon Davies
From the exhibition Show’s Over, by Wu Tsang, curated by Jon Davies (October 4 – November 16, 2013)
Los Angeles filmmaker, artist and performer Wu Tsang’s work draws on legacies of vocal performance, re-enactment, trans/queer representation, and anti-oppression activism to stage the complex relationships between individual and collective subjects and the charged dynamics of the body, identity, voice, and politics.
From the exhibition Show’s Over, by Wu Tsang, curated by Jon Davies (October 4 – November 16, 2013)
Los Angeles filmmaker, artist and performer Wu Tsang’s work draws on legacies of vocal performance, re-enactment, trans/queer representation, and anti-oppression activism to stage the complex relationships between individual and collective subjects and the charged dynamics of the body, identity, voice, and politics.
Back to School Curatorial Statement
by Vesna Krstich
From the Back to School curatorial residency with Vesna Krstich (September 12 – 28, 2013)
Gallery TPW presents a three week residency with Vesna Krstich. Back to School re-envisions the gallery as an alternative classroom space for curriculum planning and experimentation, playing host to a series of school workshops, after-school programs and public events.
From the Back to School curatorial residency with Vesna Krstich (September 12 – 28, 2013)
Gallery TPW presents a three week residency with Vesna Krstich. Back to School re-envisions the gallery as an alternative classroom space for curriculum planning and experimentation, playing host to a series of school workshops, after-school programs and public events.
T.H.T.K. (Toronto)
by Gabrielle Moser
From the exhibition T.H.T.K. (Toronto), by Jason Lazarus, organized by Gabrielle Moser (July 5 – August 10, 2013)
Started in 2010, Lazarus’s “Too Hard to Keep,” is a site-specific installation drawn from a growing archive of photographs donated by owners who find them too painful to live with any longer.
From the exhibition T.H.T.K. (Toronto), by Jason Lazarus, organized by Gabrielle Moser (July 5 – August 10, 2013)
Started in 2010, Lazarus’s “Too Hard to Keep,” is a site-specific installation drawn from a growing archive of photographs donated by owners who find them too painful to live with any longer.
Yes, but (Some Thoughts on Broomberg and Chanarin’s New Work)
by Sean O’Toole
From the exhibition and cross Canada billboard campaign To Photograph The Details of a Dark Horse in Low Light by Adam Broomberg and Oliver Chanarin (May 11 – June 8, 2013)
For much of the past two decades, the work of the London-based photographic duo Adam Broomberg and Oliver Chanarin has, in varying ways, challenged the orthodoxies, traditions and stabilities of photojournalistic practices.
From the exhibition and cross Canada billboard campaign To Photograph The Details of a Dark Horse in Low Light by Adam Broomberg and Oliver Chanarin (May 11 – June 8, 2013)
For much of the past two decades, the work of the London-based photographic duo Adam Broomberg and Oliver Chanarin has, in varying ways, challenged the orthodoxies, traditions and stabilities of photojournalistic practices.
Laure Prouvost – The Wanderer
by Amy Beste
From the exhibition The Wanderer by Laure Prouvost (April 13 – May 4, 2013)
Working from a mistranslation of Franz Kafka’s Metamorphosis, Prouvost creates a chaotic mise-en-scène, repeatedly subverting cinema’s narrative troupes, playing the archetypal against the absurd in a series of uncomfortable scenarios.
From the exhibition The Wanderer by Laure Prouvost (April 13 – May 4, 2013)
Working from a mistranslation of Franz Kafka’s Metamorphosis, Prouvost creates a chaotic mise-en-scène, repeatedly subverting cinema’s narrative troupes, playing the archetypal against the absurd in a series of uncomfortable scenarios.
