Adam Broomberg and Oliver Chanarin

To Photograph the Details of a Dark Horse in Low Light

April 29 – June 2, 2013

National Billboard campaign in Vancouver, Calgary, Saskatoon, Winnipeg, Toronto, Montreal & Dartmouth

Supported by Pattison Outdoor Advertising and Nikon Canada

May 11 – June 8, 2013
Gallery TPW
1256 Dundas Street West

Presented in partnership with Scotiabank Contact Photography Festival

Adam Broomberg and Oliver Chanarin’s To Photograph the Details of a Dark Horse in Low Light presents a national billboard campaign that depicts glamorous Caucasian women in high-contrast dress posed in front of neutral grey backgrounds. Collectively known as “Shirleys,” the portraits are culled from an archive of Kodak “norm reference cards,” historically used to calibrate skin tone in a photograph. French director Jean-Luc Godard made Kodak’s apparent predilection for white skin famous by refusing to use Kodak film on assignment in Mozambique in 1975. Kodak film, he insisted, was “racist.” Responding primarily to the confectionary and furniture industries’ complaints that they could not properly render dark chocolate or dark wood, Kodak chemists developed an emulsion that more accurately depicted darker colours: Gold Max, the first popular consumer film to address this problem, was initially described by Kodak as able “to photograph the details of a dark horse in low light.”

Broomberg and Chanarin’s billboards bring Shirley out of history and into a sea of contemporary consumer imagery. The portraits are juxtaposed with a graphic play of tonal and colour scales, and overlaid with the label “normal.” The new images hijack the representational space of urban advertising to raise questions about the relationship between the social and the technical, and the possibility that politics is bound up with our material history.

Recently, Broomberg and Chanarin were invited to “document” the African country Gabon. Before the trip, they collected Kodak film stock that expired between the 1950s–70s: film that Godard would have called racist. Using the expired film they succeeded in producing just a single frame from the many colour rolls they exposed. This image will be on view at the Gallery TPW R&D project space.

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Artist Biographies

Adam Broomberg and Oliver Chanarin are artists living and working in London. Together they have published nine monographs and have had numerous international exhibitions including The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery and Mathaf Arab Museum of Modern Art. Broomberg and Chanarin teach at the Zurich University of the Arts and are Visiting Fellows at the University of the Arts London. Their work is represented in major public and private collections including Tate Modern, the Stedelijk Museum, Victoria and Albert Museum, Musee de l’Elysee and the International Center of Photography. Most recently they have been shortlisted for the Deutsche Börse Photography Prize. Limited edition books and posters by Adam Broomberg and Oliver Chanarin, and other specially commissioned artists books are available through Chopped Liver Press.