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Antonia Hirsch
Negative Space
October 17- November 14, 2015
Berlin-based Canadian artist Antonia Hirsch brings her multi-disciplinary project Negative Space to Gallery TPW. The exhibition investigates the interrelation of inner and outer worlds by mobilizing images and objects whose origin ranges from astronomy and contemporary mobile devices to black mirrors of the 18th and 19th century landscape painters.
October 17- November 14, 2015
Berlin-based Canadian artist Antonia Hirsch brings her multi-disciplinary project Negative Space to Gallery TPW. The exhibition investigates the interrelation of inner and outer worlds by mobilizing images and objects whose origin ranges from astronomy and contemporary mobile devices to black mirrors of the 18th and 19th century landscape painters.
David Levine
Rana Hamadeh
Can You Pull In An Actor With A Fishhook Or Tie Down His Tongue With A Rope?
June 3 - July 25, 2015
Hamadeh presents a new iteration of her long-standing research project Alien Encounters. Under this umbrella Hamadeh considers notions of alien-ness – as that which is outcast with regards to the law as well as that which is extraterrestrial.
June 3 - July 25, 2015
Hamadeh presents a new iteration of her long-standing research project Alien Encounters. Under this umbrella Hamadeh considers notions of alien-ness – as that which is outcast with regards to the law as well as that which is extraterrestrial.
Lonnie van Brummelen and Siebren de Haan
“…a container for mere possibilities that have not yet happened, a body in a state of becoming through time, or a structure for the expression of time as it moves both forwards and backwards at once.”
March 20 – 28, 2015
In 1968, Jill Johnston stated “I’ve seen Trio A a number of times and still think I haven’t really seen it.” This week of discursive events and performances initiated by FADO Performance Art Centre in collaboration with Sara Wookey allows the opportunity to see Yvonne Rainer’s canonical 1966 dance again within a constellation of conversations, readings and newly commissioned works.
In 1968, Jill Johnston stated “I’ve seen Trio A a number of times and still think I haven’t really seen it.” This week of discursive events and performances initiated by FADO Performance Art Centre in collaboration with Sara Wookey allows the opportunity to see Yvonne Rainer’s canonical 1966 dance again within a constellation of conversations, readings and newly commissioned works.