Exhibitions
Reflections on Transparency
Benjamin de Boer and Sophia Oppel
Image and text work presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Image and text work presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Mga balakid sa bukang liwayway (obstacles at dawn)
Patrick Cruz
Mga balakid sa bukang liwayway (obstacles at dawn) is a collection of three video works that attempts to unpack the contradictions and nuances of being a settler-immigrant, a participant and observer of our late capitalist system and as an artist living and working in a climate of drastic change.
Mga balakid sa bukang liwayway (obstacles at dawn) is a collection of three video works that attempts to unpack the contradictions and nuances of being a settler-immigrant, a participant and observer of our late capitalist system and as an artist living and working in a climate of drastic change.
The Hourglass
Shannon Garden-Smith
Text and web-based image project presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Text and web-based image project presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
The Border Guards Were Friendly
Zinnia Naqvi
Billboard project presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Billboard project presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Re-acquaintances
Camille Rojas and Sofia Mesa
Video work presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Video work presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
A Manifesto, A Strategy
Zinnia Naqvi
Text work presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
Text work presented in the context of MOVEMENTS, an online and site-specific program that reflects on both the intimate scale of the body as it shifts through time and space, within transient gestures and encounters, and organized actions that provoke vital, unsettling change.
School for the Movement of the Technicolo(u)r People
taisha paggett and WXPT in collaboration with Ashley Hunt and Kim Zumpfe
September 12—October 26, 2019
A large-scale artist exchange, exhibition, and public school platform, the School builds a site/home and experimental curriculum that responds to the limited positioning of Black and queer movers in the worlds of dance, visual art, and beyond.
September 12—October 26, 2019
A large-scale artist exchange, exhibition, and public school platform, the School builds a site/home and experimental curriculum that responds to the limited positioning of Black and queer movers in the worlds of dance, visual art, and beyond.
k.g. Guttman
Visiting Hours
June 29—August 3, 2019
Positioning the image as an encounter between performer and audience, Visiting Hours is a live exhibition hosted by an ensemble of performers. k.g. Guttman offers a participatory experience where visitors are guided in embodied observation techniques with images from the practices of six Toronto-affiliated artists.
June 29—August 3, 2019
Positioning the image as an encounter between performer and audience, Visiting Hours is a live exhibition hosted by an ensemble of performers. k.g. Guttman offers a participatory experience where visitors are guided in embodied observation techniques with images from the practices of six Toronto-affiliated artists.
Erika DeFreitas
It is now here that I have gathered and measured yes.
May 4—June 8, 2019
Erika DeFreitas’ new body of work explores intuitive processes and their representation as extended ways of knowing. Influenced by 19th and early 20th century occult photography, she employs camera and cameraless photographic techniques that recall photography’s important role in the heyday of the Spiritualist movement.
May 4—June 8, 2019
Erika DeFreitas’ new body of work explores intuitive processes and their representation as extended ways of knowing. Influenced by 19th and early 20th century occult photography, she employs camera and cameraless photographic techniques that recall photography’s important role in the heyday of the Spiritualist movement.
Denise Ferreira da Silva and Arjuna Neuman
4 Waters: Deep Implicancy
March 9 to April 20, 2019
4 Waters: Deep Implicancy traces the striking possibility of a state without value. The film assembles fragments that touch on a kind of knowledge imbedded in a moment preceding human history or geological timescales.
March 9 to April 20, 2019
4 Waters: Deep Implicancy traces the striking possibility of a state without value. The film assembles fragments that touch on a kind of knowledge imbedded in a moment preceding human history or geological timescales.
